Flesh Machine (2025–2026) examines the human form through a nihilistic lens, tracing its transformation across a series of symbolic iterations. Beginning with the body in its most fundamental state—raw flesh, reduced to mere matter—the work progresses to the mannequin, an artificial surrogate that reflects society’s commodification of the body. The form then shifts into a hybridized state represented by the hand, an object that suggests both human agency and fragmentation.

Through this progression, Flesh Machine reflects on the body’s evolution from organic substance to aesthetic object and to mechanized force, ultimately questioning where the boundary between body and machine truly lies.